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	<title>Rav Casley Gera &#187; daniel day-lewis</title>
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	<pubDate>Wed, 22 Oct 2008 23:47:00 +0000</pubDate>
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		<title>An oil man through and through</title>
		<link>http://casleygera.com/2008/06/04/an-oil-man-through-and-through/</link>
		<comments>http://casleygera.com/2008/06/04/an-oil-man-through-and-through/#comments</comments>
		<pubDate>Wed, 04 Jun 2008 19:37:57 +0000</pubDate>
		<dc:creator>Rav Casley Gera</dc:creator>
		
		<category><![CDATA[Culture]]></category>

		<category><![CDATA[Politics &amp; Society]]></category>

		<category><![CDATA[conservatism]]></category>

		<category><![CDATA[daniel day-lewis]]></category>

		<category><![CDATA[george w bush]]></category>

		<category><![CDATA[there will be blood]]></category>

		<guid isPermaLink="false">http://casleygera.com/?p=151</guid>
		<description><![CDATA[
While the critical acclaim for PT Anderson’s There Will Be Blood may focus on Daniel Day-Lewis’ studiedly epic performance as oiligarch Daniel Plainview, or Johnny Greenwood’s remarkable, discomfiting soundtrack, much of the film’s lasting resonance may lie in its timely reminder for modern audiences of the harsh nature of frontier life in the early American [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align:center;"><img src="http://img5.allocine.fr/acmedia/medias/nmedia/18/63/80/44/18867827.jpg" alt="" width="473" height="315" /></p>
<p>While the critical acclaim for PT Anderson’s <em>There Will Be Blood </em>may focus on Daniel Day-Lewis’ studiedly epic performance as oiligarch Daniel Plainview, or Johnny Greenwood’s remarkable, discomfiting soundtrack, much of the film’s lasting resonance may lie in its timely reminder for modern audiences of the harsh nature of frontier life in the early American South and West - and its echoes in modern American politics. At the beginning of the film - loosely based on Upton Sinclair’s novel <em>Oil!</em> - Plainview is a desperate, determined loner, literally scratching for silver at the bottom of a hand-dug mine in the Californian desert. With his discovery of oil, Plainview quickly develops a thriving business and a reputation as a giant of his trade.</p>
<p>Not a word is spoken in the film until oil is discovered; immediately afterwards, we jump forward several years to hear Plainview, now a successful oil merchant, addressing a meeting of villagers as he makes his case why they should grant him the license to drill their recently-discovered bounty. Contrasting his own background as a genuine “oil man” to speculators seeking to work as middle-men, he extols the values of the small, closely-run business:</p>
<blockquote><p>I do my own drilling, and the men that work for me work for <em>me</em>, and they are men I know. I make it my business to be there and see to their work. I don’t lose my tools in the hole and spend months fishing for them; I don’t botch the cementing off and let water in the hole and ruin the whole lease. I’m a family man- I run a family business. This is my son and my partner, H.W. Plainview.</p></blockquote>
<p>As I heard this speech I found its tone naggingly familiar, but couldn’t place it. Then I remembered: this style - this combination of simple language with small-town values - is the language of the modern American conservative movement, and the language of President George W. Bush. The emphasis on hard work over big ideas; the use of “family” as a catch-all codeword for wholesomeness and authenticity; the contrasting of narrow competence against untrustworthy intelligence, are all hallmarks of Bush’s often mangled, but highly effective speaking style.</p>
<p>And, like modern conservatism, Plainview’s vision of honest business needs a bogey man to appear really attractive. It’s not enough for Plainview to claim to be honest; he must be <em>more</em> honest, <em>more</em> simple, <em>more</em> genuine, than some ill-defined other:</p>
<blockquote><p>Out of all men that beg for a chance to drill your lots, maybe one in twenty will be oilmen; the rest will be speculators-men trying to get between you and the oilmen-to get some of the money that ought by rights come to you. Even if you find one that has money, and means to drill, he’ll maybe known nothing about drilling and he’ll have to hire out the job on contract, and then you’re depending on a contractor that’s trying to rush the job through so he can get another contract just as quick as he can. That is the way this works.</p></blockquote>
<p>This victim mentality is vital to the conservative movement of the last 30 years. Those opposed to the movement are always seen as out-of-touch moneymen, suspicious characters from immoral cities, brains with no heart. It’s a world-view with a constant undercurrent of mistrust and fear. Most people who will say they want to help you good, ordinary people, Plainview is saying, are dishonest. Corrupt. Only a few good, simple men will listen to you. Only a few share your values. And I am one of them. It’s an echo of Ronald Reagan’s quip that “government is not the answer to the problem, it <em>is</em> the problem”; to Karl Rove’s carefully-constructed coalition of “values voters”. Bush’s down-home simplicity stands in marked contrast to the slick ways and fancy words of the untrustworthy Washington elite.</p>
<p>The point, of course, is that Plainview’s vision is a lie. The speech, the first words we hear him utter, is a carefully prepared set-piece speech masquerading as stumbling, homespun wisdom. Far from knowing and valuing his workmen, he works them in 12-hour shifts with minimal supervision, leading to tragic, avoidable accidents. Even his status as a family man, vital to his appeal, is a lie: H.W. is really the son of one of Plainview’s workmen, killed in an accident at work. Plainview keeps him around at least in part to shore up his public face as a committed family man, rather than a driven loner, and by the end of the film their relationship has totally broken down.</p>
<p>As the film progresses, the lies accrue. Tipped off to the presence of oil in the town of Little Boston, Plainview goes to great lengths to hide it from the locals in the hope of buying their arid land at knock-down prices. When word gets out, he promises the earth to the villagers - irrigation, roads, funding for their church - with no intention of paying them their fair share. And his simple frontiersman persona disappears as he builds himself a gothic mansion with his new fortune.</p>
<p>If you’ve been paying any attention for the last eight years, you’ll be getting the similarities. Bush’s family-man values are designed to mask a youth of drug-taking, alcoholism and womanising. For all his trumpeting of simple frontier values, he’s a child of incredible privilege. The child of a president, he campaigned in 2000, incredibly, as a Washington outsider. A man who grew up in immense wealth, who was helped to power by the nation’s richest people and has executed that power frequently for their benefit, built his electoral appeal by endlessly evoking the image of the dirt-poor, simple frontiersman.</p>
<p>It’s often pointed out that it’s hard for us, in the static, ancient states of Europe, to identify with the American cult of the frontier: its rugged individualism, its disdain for intellectuals, its hostility towards government. But <em>There Will Be Blood </em>serves as a valuable reminder that those standing up and eulogising the simple frontier life have usually been selling something in a bid to escape it. Bush’s simple-family-guy persona has its real roots not in the genuine rhythms and manners of life in the American South and West, but in the carefully constructed performance of the oil salesman. Like Plainview, Bush is an oil man through and through; and, like Plainview, he doesn’t let the truth get in the way of a sale.</p>
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